Thierry DILGER
// Sound and Interaction Designer
He operates in various fields such as video games, field recording, and artistic installations. His projects have been showcased at the art biennial "Les Bains numériques," "Nuit Blanche" in Paris, and the Art Institute of Chicago.
Simultaneously, he develops GASPR, an innovative OSC message management software allowing manipulation of numerous sound sources. This project has been the subject of several publications, notably in AES (Audio Engineering Society), ICSA (International Convention on Spatial Audio), and JIM (Journées d'Informatique Musicale).
As a trainer in different institutions, he emphasizes immersive audio and the creative possibilities of sound interaction tools. Fmod expert, official instructor for Flux:: Spat Revolution, he is also the author of the chapter "Video Games and Interactivity" in the reference book "Le son multicanal" (Dunod).
Founder and coordinator of Mixage Fou, a call for projects bringing together professionals and sound enthusiasts since 2009 to create original 80-second sound works (www.mixagefou.com).
Sound instructor at several training centers (CIFAP Montreuil, ESRA School Paris, CNAM Toulon). With the advancement of immersive audio technologies, new sonic opportunities emerge. There is a growing demand for talent development in this field, exploring essential concepts through hands-on practices such as binaural, ambisonics, channel-based, and Dolby Atmos.
Author of the video game and interactivity chapter in the reference book 'Le son multicanal.' Designed for professionals and students in the field of sound engineering, this comprehensive reference book is illustrated with a wealth of materials, including diagrams, photos, and interviews with experts. It covers all artistic and technical aspects of multichannel sound (Dunod).
Creator and coordinator of the international sound call, Mixage Fou. It is a free and open event, dedicated to the art of sound creation, which has brought together professionals and amateurs of all ages and nationalities since 2009. Give free rein to your imagination by cutting, transforming and mixing without constraints sounds from our bank, in order to bring to life an 80-second sound work.